Compelling Realities:
The Photographic work of Brian Day, Jon DeBoer, and Jeff Gaydash
Compelling Realities recasts the city of Detroit through viewfinders of Brian Day, Jon DeBoer, and Jeff Gaydash. The show – featuring portraiture, architectural abstraction, and urban landscapes – utilitizes formal black-and-white photography to allow us to shift our attention away from the known into the tangential world of the untold. The images suggest a re-evaluation of our sense of place as hard surfaces collide gently with atmosphere and memory through the seductive quality of the artists’ image making. In this show, the photographs transcend the idea of the photography as documentation and present the viewer with a departure point for new experiences and perspective on Detroit’s built environment.
December 9, 2011 through January 15, 2012 at Studio Couture Detroit
Opening Reception December 10, 2011 6-9pm
Friday, December 9, 2011
Sunday, October 23, 2011
Jeff Gaydash In The Spotlight
I was recently interviewed by Joel Tjintjelaar for his website bwvision.com. The interview can be read in it's entirety here.
Thursday, August 18, 2011
Rouge Series Receives 2nd Place in the 2011 International Photo Awards
I am pleased to announce that my ongoing series of industrial photography Along The Rouge River: Detroit's Industrial Mecca has received 2nd Place in the 2011 International Photography Awards in the 'Industrial Architecture' category.
Industrial photography has long been a passion of mine and photographing The Rouge in the post 9/11 era has proven very difficult. It is satisfying to hear that the frustration and difficulties I have encountered shooting along The Rouge has received some international recognition. I am now convinced that it has been a worthwhile effort. Stay tuned for more industrial work in the not too distant future.
You can read about my experiences while shooting along The Rouge in this previous blog post.
Images from the series can be seen here.
Industrial photography has long been a passion of mine and photographing The Rouge in the post 9/11 era has proven very difficult. It is satisfying to hear that the frustration and difficulties I have encountered shooting along The Rouge has received some international recognition. I am now convinced that it has been a worthwhile effort. Stay tuned for more industrial work in the not too distant future.
You can read about my experiences while shooting along The Rouge in this previous blog post.
Images from the series can be seen here.
Saturday, June 18, 2011
WINNER OF PX3, Prix de la Photographie Paris
Jeff Gaydash of The United States was awarded two Silvers in the PX3 2011 Competition.
Paris, France
Prix de la Photographie Paris (Px3) announces winners of PX3 2011 competition.
Px3 is juried by top international decision-makers in the photography industry: Carol Johnson, Curator of Photography of Library of Congress, Washington D.C.; Gilles Raynaldy, Director of Purpose, Paris; Viviene Esders, Expert près la Cour d'Appel de Paris; Mark Heflin, Director of American Illustration + American Photography, New York; Sara Rumens, Lifestyle Photo Editor of Grazia Magazine, London; Françoise Paviot, Director of Galerie Françoise Paviot, Paris; Chrisitine Ollier, Art Director of Filles du Calvaire, Paris; Natalie Johnson, Features Editor of Digital Photographer Magazine, London; Natalie Belayche, Director of Visual Delight, Paris; Kenan Aktulun, VP/Creative Director of Digitas, New York; Chiara Mariani, Photo Editor of Corriere della Sera Magazine, Italy; Arnaud Adida, Director of Acte 2 Gallery/Agency, Paris; Jeannette Mariani, Director of 13 Sévigné Gallery, Paris; Bernard Utudjian, Director of Galerie Polaris, Paris; Agnès Voltz, Director of Chambre Avec Vues, Paris; and Alice Gabriner, World Picture Editor of Time Magazine, New York.
ABOUT PX3:
The "Prix de la Photographie Paris" (Px3) strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. Winning photographs from this competition are exhibited in a high-profile gallery in Paris and published in the high-quality, full-color Px3 Annual Book.
Visit http://px3.fr
Paris, France
Prix de la Photographie Paris (Px3) announces winners of PX3 2011 competition.
Jeff Gaydash of The United States was Awarded: Silver in category Nature for the entry entitled, Solitude and Silver in the Fine Art category for the entry entitled, Refinery. The jury selected PX3 2011’s winners from thousands of photography entries from over 85 countries.
Px3 is juried by top international decision-makers in the photography industry: Carol Johnson, Curator of Photography of Library of Congress, Washington D.C.; Gilles Raynaldy, Director of Purpose, Paris; Viviene Esders, Expert près la Cour d'Appel de Paris; Mark Heflin, Director of American Illustration + American Photography, New York; Sara Rumens, Lifestyle Photo Editor of Grazia Magazine, London; Françoise Paviot, Director of Galerie Françoise Paviot, Paris; Chrisitine Ollier, Art Director of Filles du Calvaire, Paris; Natalie Johnson, Features Editor of Digital Photographer Magazine, London; Natalie Belayche, Director of Visual Delight, Paris; Kenan Aktulun, VP/Creative Director of Digitas, New York; Chiara Mariani, Photo Editor of Corriere della Sera Magazine, Italy; Arnaud Adida, Director of Acte 2 Gallery/Agency, Paris; Jeannette Mariani, Director of 13 Sévigné Gallery, Paris; Bernard Utudjian, Director of Galerie Polaris, Paris; Agnès Voltz, Director of Chambre Avec Vues, Paris; and Alice Gabriner, World Picture Editor of Time Magazine, New York.
ABOUT PX3:
The "Prix de la Photographie Paris" (Px3) strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. Winning photographs from this competition are exhibited in a high-profile gallery in Paris and published in the high-quality, full-color Px3 Annual Book.
Visit http://px3.fr
Friday, June 3, 2011
Announcing "Monochromatic Editions" by Jeff Gaydash
In conjuction with Joel Tjintjelaar's relaunch of www.bwvision.com, I am now offering my specialized B&W printing as a service to other photographers. I have partnered with bwvision.com to provide the highest standard in black and white photographic reproductions that will be made available through his website.
All my prints are made using Piezography, a high-end digital printing system utilizing carbon-based monochromatic inks and specialized software. I have an Epson 9600 using K7 inks for matte prints, an Epson 9880 for matte and glossy printing using MPS selenium toned inks, an Epson 3880 using K7 Special Edition inks and a desktop system with Neutral inks for prints up to 13" wide.
I will also be offering print workshops for anyone interested in learning how to set up and print using Piezography.
I will also be offering print workshops for anyone interested in learning how to set up and print using Piezography.
For more information go to www.jeffgaydash.com/editions
Monday, March 21, 2011
Say 'YES' and Help Victims of the Japanese Earthquake & Tsunami
YES - 10X10" Piezo Print |
I have announced in my previous post that 'YES' has received 1st place in the 'Past' category of the International Photography Awards 'One Shot: The Landscape' competition. I am grateful to have received this award and want to give something back.
Through April 15, I am offering limited edition prints of 'YES' to help victims of the Japan Earthquake and Pacific Tsunami. All proceeds will go to the American Red Cross.
I am offering the following prints:
10X10" Prints - Limited Edition of 50 - $100 ea.
7X7" Prints - Non-Editioned - $60 ea.
Prints are made by myself on Hahnemuhle Museum Etching, 350 gsm fine art paper, using Piezography carbon based inks. 10X10" prints are archivally mounted on 16X20" Alpharag Solid Core museum board and 7X7" prints are mounted on 11X14" pH Neutral Crescent Whitecore Papermat. Prints are signed and editioned in pencil below the image and behind the mat window.
Payments can be made in U.S. Dollars via PayPal to jeff.gaydash@gmail.com. If you would like to donate directly, please provide me proof of your donation and I will arrange delivery of your print.
This is a great opportunity to support people who urgently need our help and get your hands on an award-winning photograph! Thank you in advance for your support.
Tuesday, March 15, 2011
'YES' Receives 1st Place in IPA's 'One Shot: The Landscape' Competition
I am proud to announce that my photograph 'YES' has received 1st place in the 'Past' category of the International Photography Awards 'One Shot: The Landscape' competition.
Two other images I entered, 'X02STRL' and 'Edgewater: Study I' were selected for the 'Top 25 Selection.'
International Photography Awards: www.photoawards.com
View video on Vimeo: One Shot: The Landscape Winners
Sunday, February 13, 2011
Photographing Along The River Rouge: Detroit's Industrial Mecca
Zug Island |
When The Rouge was built in the 1920's it was the largest integrated industrial complex in the world. Most of it was designed by Albert Kahn, known as the "Architect of Detroit" and was studied by such notable artists and photographers as Diego Rivera, Charles Scheeler and Michael Kenna. The River Rouge area also has several other large industrial complexes including Marathon's oil refinery and the U.S. Steel mill on Zug Island, located at the mouth of the River Rouge where it empties into the Detroit River.
Rouge Remnants: Study II |
My main subject these days is primarily shooting long exposure water scapes of The Great Lakes. When I can't find the time to get to the lakes, I have recently found myself revisiting the heavily industrialized River Rouge area, which is conveniently very close to my place of work in Dearborn. Things seem to have dramatically changed in the post 911 era. I have found it difficult and sometimes impossible to access most of the areas of The Rouge that I would like to photograph.
Critical Infrastructure I |
Back at my desk at work, I decided to find out more about what Critical Infrastructure is. According to The U.S. Department of Homeland Security website, Critical Infrastructure is defines as:
"…the assets, systems, and networks, whether physical or virtual, so vital to the United States that their incapacitation or destruction would have a debilitating effect on security, national economic security, public health or safety, or any combination thereof."
Refinery |
Each time I returned to the River Rouge area to take photographs, I was almost immediately approached by Homeland Security. Not knowing my full rights, I was careful not to trespass on private property. While photographing the Marathon construction project again, I was told that I was not allowed to take photographs of the Marathon facility. I kindly stated that I was under the assumption that I had every right to take photographs from a public sidewalk. He seemed to stumble a bit but then said that although he can't do anything to force me to leave, Marathon Oil really does not want photographs taken of their facility and asked that he would prefer that I moved on. By that time I had already taken the exposures I wanted so I decided to honor his request. While I was packing up I noticed my license plate number was being recorded again.
On another outing, I went to a city park on the Detroit riverfront and had to register with a Homeland Security officer to enter the park. My driver's license and vehicle information was recorded. At this point I really was starting to wonder if I was going to be flagged as some sort of risk to our national security.
Critical Infrastructure II |
Rouge Remnants: Study I |
Transmission Grid |
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